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She made a quaint picture curled in a big chair under the window, where a lifted corner of the curtain gave light to the book, but left the rest of the room dark. It pleased her to play teacher. She asked Billy numberless questions, coaxed him to explain what she did not understand. And he soon learned that one must know a thing very well before he can tell it. He dictated some of the written work, and she transcribed it in her prim little script.,

“Said so, but they’re late. We’ve got an addition, the little earthquake girl.” This last was a sibilant aside.,

Mrs. Bennett hugged her closer and patted her cheek softly, but let the passion of tears spend itself a little before trying the comfort of words. Then she questioned of the child’s parents, her past life, and the events just preceding the catastrophe in San Francisco, that she herself might better understand how to shield and make happy the little waif that a terrible, heaving earth had cast into her home, her arms.,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.

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“It’s time Billy was at home,” he heard his mother say as he opened her room door; and he stumbled on more hurriedly, across the bridge—at last, the Fo’castle!,

They all went off, a merry, noisy troop. And the disappearing sun was the last to say to Billy “Good-night.”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,

“He was a real little cat Moses, wasn’t he? And you—you must be Pharaoh’s son instead of daughter.” The child laughed and clapped her hands.